Tring Park and IADMS present: Building a Dancer

Author: Sarah Beck

On Sunday 10th May 2015 Tring Park School for the Performing Arts, UK, hosted a one day Professional Development Conference for dance teachers, in association with IADMS, entitled: Building a Dancer. An enthusiastic group of dance teachers, ranging from those working with professional and vocational dancers to grass roots community dance schools, gathered together to learn and discuss.

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Maintaining Correct Alignment When Training Positions Retiré or Passé - (to withdraw or to pass)

Author: Maggie Lorraine on behalf of the IADMS Education Committee

In the last post from the IADMS Education Committee “Dancing with the pelvis” the authors focused on pelvic alignment and its relevance to movement execution in the studio. When reading this post on the retiré position, it would be useful to refer back to information posted on previous IADMS posts, as each new post now reinforces the anatomical truths that guide us as teachers. To quote Clara Fischer and Elsa Urmston,“We have all learned from experience: proper alignment is one of the basic building blocks for achieving the aesthetic line and form required for dance technique.”

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5 Questions With Amanda Clark

Our next featured member in the “5 Questions With…” column is our Student Committee Chair, Amanda Clark. Her areas of interest include dancer wellness, health, and education. Amanda will be graduating from Case Western Reserve University with an MFA in Contemporary Dance this May.

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Dancer Wellness: Power, Empower and Educate! Mid-Atlantic IADMS Regional Conference

Authors: Janine Bryant and Gayanne Grossman 

On April 26th members of IADMS held their first Mid-Atlantic Regional Conference entitled Power, Empower and Educate! at DeSales University in Center Valley, Pennsylvania, USA.

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Dancing with the pelvis: Alignment, deviations, and mobility

Authors: Clara Fischer Gam and Elsa Urmston on behalf of the IADMS Education Committee 

In the latest post from the IADMS Education Committee we started a two-post discussion on pelvic structure and alignment. We looked at pelvic anatomy, motion and came up with ideas for putting these concepts into practice in class. This second post will focus on pelvic alignment and its relevance to movement execution in the studio.

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The Pelvis: The Meeting Point of the Body

Author: Clara Fischer Gam on behalf of the IADMS Education Committee 

We will get the week started with a post from the IADMS Education Committee. This is part 1 of a two-post discussion on pelvic structure and alignment. Today we will take a closer look at anatomy of the pelvis and share ideas for embodying these concepts in the studio.

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IADMS 2015 Annual Meeting in Pittsburgh, PA, USA

Author: Hannah Etlin-Stein 

IADMS is now gearing up for another Annual Meeting and this year it is in Pittsburgh! As IADMS is a diversely international community, the Annul Meeting is a fabulous way to explore a new city and culture, while connecting with the IADMS community. For those who have never attended an Annual Meeting it's an experience unlike any other and can provide many benefits. 

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Dance Medicine and Science at Dance UK’s ‘The Future: New Ideas, New Inspirations’ Conference

Author: Sarah Beck

This past weekend, from April 9th to 12th, Dance UK hosted their first ever Industry Wide Conference titled The Future: New Ideas, New Inspirations. With the future of the dance sector at the heart of this conference, it seemed only right that dance medicine and science featured within discussions.

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The Spine: The impact of head position

Author: Elsa Urmston on behalf of the IADMS Education Committee 

This blog post from the IADMS Education Committee brings focus to the importance of spinal alignment and its role in aiding the efficient and effective mobilization of the body in dance. Specifically this week, we will look at the cervical spine and the all too common problem of the forward head posture.

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What do ballet dancers, bar tenders and paramedics have in common?

Author: Luke Hopper, PhD 

Lifting is an important technique across dance styles. With diverse modern choreography, lifting is an increasingly common technique not only for males but for female dancers as well. The act of lifting is often described as giving the partner grace and the impression weightlessness as they float through the air. But what about the lifter below? What about their technique? And more importantly what about their health?

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